Exhibition Ukrainian Modernism 1910-1930. Chicago, NY, Kiev, 2006-2007./Attribution avant-garde, paintings, graphik, icons, posters

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	Vadim MELLER (1884-1962). *An Assyrien. For the Ballet Studio of Bronislava Nijinska.* 1919. Gouache, India ink, collage. 45 by 37 cm. Ukrainian State Museum of Theatre, Music and Films Arts, Kyiv. Details...	Vadim MELLER (1884-1962). *Assyrien dancers.* Costume sketch. 1919-1920 . Gouache on card. 51 by 33 cm. Ukrainian State Museum of Theatre, Music and Film Arts, Kyiv. Details...	Vadim MELLER (1884-1962) *Costume design for the historic play "Assyrien dancers".* 1920. Gouache, ceruse, pencil. 62,5 by 27 cm. Private collection, Kyiv. Details...

	Vadim MELLER (1884-1962). *Monk (For the play Mazepa).* 1920. Paper, lead pencil, gouache, water-colour, ink. 52,5 by 26 cm. Ukrainian State Museum of Theatre, Music and Film Arts. Kyiv. Details...	Vadim MELLER (1884-1962). *Costume design for the play Carnival after Romain Roland. Dir. M. Tereschenko, Mass Action Theatre Mihailichenko. Kyiv,* 1923. Paper, lead pencil, gouache, watercolour, ink. 52,5 by 26 cm. Private collection, Kyiv. Details...	David BURLIUK. (1882-1967). *Time.* 1910s. Oil on canvas. 80 by 75 cm. Art Museum, Dnepropetrovsk (Ukraine). Details...

	David BURLIUK (1882-1967). *Harvesting.* 1915. Canvas, glass, stone mass. 35 by 49 cm. Private collection, Kyiv. Details...	David BURLIUK (1882-1967). *Merry-go-round.* 1921. Oil on canvas. 33 by 46 cm. NAMU, Kyiv. Details...	David BURLIUK (1882-1967). *Women of hot countries.* 1921. Oil on canvas. 76 by 42 cm. NAMU, Kyiv. Details...

	Victor PALMOV (1888-1929). *Summer resident.* 1920. Oil on canvas. 53 by 41 cm. Collection of National Art Museum of Ukraine (NAMU), Kyiv. Details...	Victor PALMOV (1888-1929). *Portrait of M. Chuzhak, S. Tretiakov and N. Aseev.* 1920-1921. Oil on canvas. 72 by 146,5 cm. Collection of National Art Museum of Ukraine (NAMU), Kyiv. Details...	Victor PALMOV (1888-1929). *Winter.* 1920. Oil on canvas. 60 by 40 cm. Private collection, Kyiv. Details...

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